Saturday, 15 June 2019

Cinderella 1981 - 30th Anniversary of the World of Philatelists

Last year it was brought to my attention by a fellow Decaris lover that the master actually engraved a stunning cinderella mini-sheet, celebrating the 30th Anniversary of the World of Philatelists. I was, as you can well imagine, very keen to track down my own copy of the cinderella. Surprisingly, it didn't take very long to track down. Why I had never stumbled across it before, is still a mystery to me. 

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This great mini-sheet was issued in 1981. The dominant feature of this mini-sheet is a pair of hands holding up the world. To the left we see one of Decaris' favourite subjects, Notre Dame Cathedral, located on Ile-de-France, Paris. It even includes a ship at the centre top. I adore this cinderella! 


Interestingly, each mini-sheet has a number stamped on the reverse, which provides us with a bit of a clue as to how many of these bad boys were printed. Below are images of the reverse of my copy and that of my friend, mentioned above (he happens to have a stamp blog too. Click HERE to take a look). 



Until next time...


Monday, 10 June 2019

I Muse...On Returning to the Hobby of Kings

Hi everyone! As the title suggests, I'm back! It was only the other day that I realised it has been over a year since I've written a stamp-related blog post. The last year and a half of my life has been a swirling vortex of turmoil - and that's putting it mildly! My whole existence pretty much changed overnight and in order to cope, I tended to place things that reminded me of the past, way up high n the shelves of my of my mind. Stamp collecting being one of the things that were shelved. Instead I explored other hobbies I have a passion for that didn't have that "past life" stigma attached to them. I've gotten back into modelling and I've even dipped my toe into the fascinating world of tabletop wargaming. But I have missed my stamp collecting, and I've only recently come to realise that there is now room in my world for both of my hobby passions! Anywho, enough rambling...

Since this is my first blog post back I thought I'd kick things off with a bang by revealing some eye candy in the form of some postal covers I scanned last year but never got around to publishing. Enjoy guys! And I'll see you soon with one of my regular blog posts.

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This gorgeous cover actually features the talents of a few stamp engravers, but for the purposes of this blog, I draw your attention to the stamp affixed to the top right of the cover. This stamp, designed and engraved by Albert Decaris, features the ocean liner, SS Pasteur. This stamp was issued in France on 17 May 1941. For more detailed coverage of this stamp, click HERE.


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This next cover, which again features several lovely stamps, includes a stamp from Albert Decaris' History of France series. This stamp, designed and engraved by Albert Decaris, was issued 18 November 1968. It depicts the iconic figure, Joan of Arc as she departs Vaucouleurs in 1429.


Until next time...


Thursday, 26 April 2018

France 1958 - Heroes of the Resistance (Part 4 - Jacques Bingen)

It is defined as the act of fighting against something that is attacking you, or refusing to accept something. This is resistance. And perhaps none typify and deserve the distinction of this title than the French Resistance, La Résistance in French.

It all began in the summer of 1940. The Nazis had barnstormed into France and the swastika was now flying high in Paris from such prominent places as the Hôtel de Ville and on top of the Eiffel Tower. Amid this turmoil, a prominent French writer by the name of Jean Cassou, penned the words, refus absurde "absurd refusal". Little did he know, these words would inspire the proud citizens of France to rise up against the Nazi intruders in any way possible. Thus the Resistance was born. The Resistance was for the most part organised into small groups of men and women who engaged in guerrilla warfare against the Nazis. Additionally, they published underground newspapers, established effective intelligence networks, and maintained escape routes for Allied soldiers trapped behind enemy lines. For more detailed information on the Resistance, click HERE.

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Jacques Bingen was a vital and high-ranking member of the French Resistance. Born in Paris on 16 March 1908, Bingen trained as an engineer at the École des mines de Paris. Interestingly, he was the brother-in-law of André Citroën, the famous car maker. Between 1930-1931, he served in the artillery branch of the French Army. Then in 1935 he was appointed director of the French shipping company, Société Anonyme de Gérance et d'Armement.

In 1939 at the onset of World War II, he was drafted back into the French Army. He fought in the Battle of France, and was wounded on 12 June 1940 at Saint-Valery-en-Caux. Following the surrender of France, he found his way to British-held Gibraltar, and from there he went to England in July. After joining the Free French under General Charles de Gaulle, he was put in charge of its burgeoning merchant marines. But he wasn't happy in this role. He craved action and desperately wanted to fight for France in a more active way. So, on 1 October 1941 he resigned and joined the Bureau Central de Renseignements et d'Action, which was the Free French intelligence service. On 16 August 1943, his wish for more action manifested when he "parachuted into France to help organize and unite the various disparate groups that comprised the Resistance" (Wikipedia). Also worth note, he was instrumental in the creation of the French Forces of the Interior in February 1944. 

But, as we have seen in the previous parts of this series, success in the Resistance brings one to the attention of the Gestapo. On 12 May 1944, Jacques Bingen was betrayed by Belgian double agent Alfred Dormal. He was captured at Clermont-Ferrand. To avoid the risk of breaking under torture, he committed suicide at Chamalières by swallowing a capsule of cyanide. Bingen was honoured for his service to his country posthumously with the Ordre de la Libération award. He also now has a street in the 17th arrondissement of Paris named after him.

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On 21 April 1958, France issued the second set of stamps in a series titled Heroes of the Resistance. This set comprised four stamps. All stamps were designed by Albert Decaris, but he only engraved two. To look at the first three parts in this stamp series, click on the links Part 1, Part 2, Part 3. In this blog we shall study the fourth and final stamp in the set depicting Jacques Bingen. This stamp was designed by Albert Decaris and engraved by Jean Pheulpin. This tasteful design features the face of an intelligent, resourceful, and brave individual. A great stamp!


Until next time...


Monday, 23 April 2018

France 1958 - Heroes of the Resistance (Part 3 - Simone Michel-Lévy)

It is defined as the act of fighting against something that is attacking you, or refusing to accept something. We are of course talking about resistance. And perhaps none typify and deserve the distinction of this title than the French Resistance, La Résistance in French.

It all began in the summer of 1940. The Nazis had barnstormed into France and the swastika was now flying high in Paris from such prominent places as the Hôtel de Ville and on top of the Eiffel Tower. Amid this turmoil, a prominent French writer by the name of Jean Cassou, penned the words, refus absurde "absurd refusal". Little did he know, these words would inspire the proud citizens of France to rise up against the Nazi intruders in any way possible. Thus the Resistance was born. The Resistance was for the most part organised into small groups of men and women who engaged in guerrilla warfare against the Nazis. Additionally, they published underground newspapers, established effective intelligence networks, and maintained escape routes for Allied soldiers trapped behind enemy lines. For more detailed information on the Resistance, click HERE.

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Simone Michel-Lévy, born 19 January 1906, worked for the French Resistance as a communications expert. Her role as regional director of telephone communications in Paris allowed her to set up an intelligence network pivotal to the war effort. In the course of her duties she established an important radio intelligence network between Paris and Normandy, which was used in the preparations for the D-Day invasion. She was also responsible for the creation of a covert courier system to get vital messages to England where the Free France movement was based, led by General Charles de Gaulle. Like most influential Resistance fighters, Simone Michel-Lévy came to the attention of the Gestapo. On 5 November 1943 she was arrested and tortured. But she didn't crack, and gave the Gestapo nothing. Realising they'd get nothing from this formidable woman, the Gestapo had her deported to Ravensbrück, then Flossenbürg. While in prison, she managed to organise an uprising against the camp guards. Unfortunately, she was caught and hanged on 13 April 1945, just ten days before the camp was liberated by the Allies. A sad end for a tremendously courageous woman.

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On 21 April 1958, France issued the second set of stamps in a series titled Heroes of the Resistance. This set comprised four stamps. All stamps were designed by Albert Decaris, but he only engraved two. To look at the first two parts in this set, click on the links Part 1, Part 2. In this blog we shall study the third stamp in the set depicting Simone Michel-Lévy. This stamp was designed and engraved by Albert Decaris.



This very poignant portrait is based on Simone Michel-Lévy's prison mugshot. Decaris has really managed to capture her mask of immense strength, determination, and willpower that saw her confront Gestapo torturers without yielding a shard of information. Note also the striped prison shirt she is wearing. A respectful tribute to an incredibly brave woman.

Until next time...

Tuesday, 17 April 2018

France 1958 - Heroes of the Resistance (Part 2 - Fred Scamaroni)

It is defined as the act of fighting against something that is attacking you, or refusing to accept something. We are of course talking about resistance. And perhaps none typify and deserve the distinction of this title than the French Resistance, La Résistance in French.

It all began in the summer of 1940. The Nazis had barnstormed into France and the swastika was now flying high in Paris from such prominent places as the Hôtel de Ville and on top of the Eiffel Tower. Amid this turmoil, a prominent French writer by the name of Jean Cassou, penned the words, refus absurde "absurd refusal". Little did he know, these words would inspire the proud citizens of France to rise up against the Nazi intruders in any way possible. Thus the Resistance was born. The Resistance was for the most part organised into small groups of men and women who engaged in guerrilla warfare against the Nazis. Additionally, they published underground newspapers, established effective intelligence networks, and maintained escape routes for Allied soldiers trapped behind enemy lines. For more detailed information on the Resistance, click HERE.

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On 21 April 1958, France issued the second set of stamps in a series titled Heroes of the Resistance. This set comprised four stamps. All stamps were designed by Albert Decaris, but he only engraved two. In this blog we shall study the second stamp in the set depicting Fred Scamaroni. This stamp was designed by Albert Decaris but engraved by Jean Pheulpin.


Fred Scamaroni, born 24 October 1924, started his career in law after graduating from the Faculty of Law in Paris in 1934. Then in 1936 his focus shifted somewhat to the military when he became a reserve officer at Saint-Maixent, serving in the infantry as a second lieutenant. After a time he returned to Paris and became chief of staff of the prefect of Doubs. Then between 1936 and the outbreak of World War II he trained with the Air Force. Indeed, in 1940 he flew combat missions during the Battle of France (10 May - 22 June 1940).  On 19 May, 1940, he was seriously injured during aerial combat. For his bravery he earned the cross of war.

In June 1940 he joined the Free France forces and became a member of General de Gaulle's personal staff. In this capacity he was sent to Dakar to fight in the Anglo-Gaullist raid, which aimed to rally the immense forces of French West Africa to the Allied cause. During this mission Scamaroni was captured by Viscysts and imprisoned. He and his comrades managed to escape, but lady luck was not with them. They were captured and imprisoned yet again until their eventual release in February 1941. 

In 1942 he returned to France, and again joined General de Gaulle's staff, where he was placed in the French Combatant Forces (FFC). His many missions in this capacity placed him in the cross-hairs of the Gestapo. There was now a fat target on his back. Consequently, he returned to Corsica, where he had been stationed in the past, to elude capture. But in March 1943 he was captured by the OVRA, which was a secret fascist Italian police force. He was imprisoned in the citadel of Ajaccio and tortured. Then on 19 March, to ensure he did not crack under further torture, Scamaroni committed suicide in his cell. A tragic end for a brave man of La Résistance.

Until next time...



Sunday, 15 April 2018

Cameroun 1946 - Definitives (Part 3)

It is known as "Africa in miniature" due to its geological and cultural diversity. You name it, Cameroun seems to have it. Beautiful mountains, beaches, deserts, even rainforests. So fat in this series we have visited farming in Cameroun (Part 1) and delved into the importance of archery in the culture of the Cameroun people (Part 2). This time around we will study the horsemen of Cameroun.

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In August 1946 Cameroun issued a set of 19 definitives comprising 6 different designs, three of which were designed and engraved by Albert Decaris. The third and final design created by Decaris, bearing the highest values of the three Decaris designs, features lamido horsemen. Despite my best efforts, I've been unable to find much information on the subject of this design. So far, all I've found is that lamido means "leader". If anyone out there has anymore information I'd love to hear from you. For now I will simply let  this stunning design do the talking. It was printed in three different values, each in a unique colour.




Until next time...


Friday, 13 April 2018

Cameroun 1946 - Definitives (Part 2)

The people of Cameroun have many proud traditions. Perhaps one of the most enduring of these is archery. It is depicted within government symbols of power. It is used for cultural icons. There are also many local sayings and proverbs involving archery. It is therefore fair to say that archery permeates the culture of Cameroun people.

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In August 1946 Cameroun issued a set of 19 definitives comprising 6 different designs, three of which were designed and engraved by Albert Decaris. In Part 1 we studied the first design, featuring banana porters. The second of these designs features a Cameroun archer. This design was printed in four values, each with its own unique colour. I love this design. The determination and concentration on the face of the archer. The rather intricate design work of the quiver. The lovely dappling of flora around the composition. And the traditional hut in the background to the bottom left. Great stuff, Monsieur Decaris!





Until next time...


Thursday, 12 April 2018

Cameroun 1946 - Definitives (Part 1)

It is known as "Africa in miniature" due to its geological and cultural diversity. You name it, Cameroun seems to have it. Beautiful mountains, beaches, deserts, even rainforests. Cameroun is also home to an abundance of natural resources, making it a prime candidate for agriculture. Indeed, an estimated 70% of the population farms something. So what would one expect to find growing on these farms? Well turns out, agriculture in Cameroun is as diverse as its geology and culture. 
"Soils and climate on the coast encourage extensive commercial cultivation of bananas, cocoa, oil palms, rubber, and tea. Inland on the South Cameroon Plateau, cash crops include coffee, sugar, and tobacco. Coffee is a major cash crop in the western highlands, and in the north, natural conditions favour crops such as cotton, groundnuts, and rice." (Wikipedia)
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In August 1946 Cameroun issued a set of 19 definitives comprising 6 different designs, three of which were designed and engraved by Albert Decaris. The first design, bearing the lowest values of the three Decaris designs, features banana porters. As mentioned above, there are copious banana plantations along the Cameroun coastline. Here Decaris has captured the true nature of the hard graft required to work in the farming industry. Clad only in loincloths to beat the heat, these porters labour along with massive loads balanced expertly upon their heads. 




Until next time...


Friday, 6 April 2018

France 1958 - Heroes of the Resistance (Part 1 - Jean Cavaillès)

It is defined as the act of fighting against something that is attacking you, or refusing to accept something. We are of course talking about resistance. And perhaps none typify and deserve the distinction of this title than the French Resistance, La Résistance in French.

It all began in the summer of 1940. The Nazis had barnstormed into France and the swastika was now flying high in Paris from such prominent places as the Hôtel de Ville and on top of the Eiffel Tower. Amid this turmoil, a prominent French writer by the name of Jean Cassou, penned the words, refus absurde "absurd refusal". Little did he know, these words would inspire the proud citizens of France to rise up against the Nazi intruders in any way possible. Thus the Resistance was born. The Resistance was for the most part organised into small groups of men and women who engaged in guerrilla warfare against the Nazis. Additionally, they published underground newspapers, established effective intelligence networks, and maintained escape routes for Allied soldiers trapped behind enemy lines. For more detailed information on the Resistance, click HERE.

***

On 21 April 1958, France issued the second set of stamps in a series titled Heroes of the Resistance. This set comprised four stamps. All stamps were designed by Albert Decaris, but he only engraved two. In this blog we shall study the first and lowest value stamp in the set. This stamp depicts Jean Cavaillès. It was designed and engraved by Albert Decaris.


Jean Cavaillès was actually a rather interesting character. He was a French philosopher and mathematician, specializing in the philosophy of science. At the outbreak of World War II, he joined the French army and was placed as an infantry lieutenant with the 43rd Regiment. In this capacity he was twice honoured for bravery. Unfortunately, he was captured by the Nazis on 11 June 1940 and imprisoned in Belgium. But after a little over a month in prison he managed to escape.

Over the next four years he devoted his life to the Resistance. In December 1940 he helped create a group of resistance fighters called The Last Column. This group began publishing a newspaper called Libération. Then in 1941 he travelled to Paris and helped establish the Libération-Nord resistance group.

By 1942 he found himself at the head of an intelligence network known as Cohors. His prominent position in the Resistance placed him squarely in the cross-hairs of the Vichy Regime. Consequently, in February 1943 he fled to London, where he met with General Charles de Gaulle. After meeting with de Gaulle on several occasions, he returned to France in April. Now determined to assume a more hands-on role in the Resistance, was placed in charge of the sabotage of the stores of the Kriegsmarine in Brittany, and the German radio installations along the coast. Sadly, he was betrayed by one of his liaison officers and he was arrested on 28 August, 1943. He was imprisoned in Fresnes, where he was tortured, then moved to Compiègne. He was shot by a firing squad on 17 February, 1944.

In 1969, The Centre Cavaillès de l'École Normale Supérieure was established in Paris, to honour both the bravery and academic work of Jean Cavaillès.

Until next time...


Saturday, 17 March 2018

I Muse...On Different Styles

Due to personal issues I haven't looked very much at my stamp collection for several months now. But I have still been purchasing bits and pieces, which has led to a growing stockpile of unsorted material. A few days ago I decided to tackle the task of reorganising my Albert Decaris collection to incorporate all the new acquisitions. While poring over some of my lovely new Decaris stamps I came across a stunning airmail stamp he designed and engraved for Cameroun in 1964, depicting a black rhinoceros. This got me to thinking about the black rhinoceros Pierre Gandon engraved for the 1946 definitive series of French Equatorial Africa. Two of my favourite engravers working on the same subject. What a fantastic opportunity to make a stylistic comparison.

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There are two species of rhinoceros that roam the plains of Africa, the black rhinoceros and the white rhinoceros. The black rhino is the smaller of the two species, but can still weigh in at an impressive 3,000 pounds. So how does one tell between a black rhino and a white rhino? If you ever dare get close enough to a black rhino, or like me, you are studying one from the comfort of your lounge room, you will notice that the black rhino has a distinguishable hooked upper lip. Sadly, according to worldwildlife.org: 
"Populations of black rhino declined dramatically in the 20th century at the hands of European hunters and settlers. Between 1960 and 1995, black rhino numbers dropped by a sobering 98%, to less than 2,500. Since then, the species has made a tremendous comeback from the brink of extinction. Thanks to persistent conservation efforts across Africa, black rhino numbers have doubled from their historic low 20 years ago to between 5,042 and 5,455 today. However, the black rhino is still considered critically endangered..."
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 Okay, before we get down to studying the two aforementioned rhino stamps, let me pose a few questions. Are you an admirer of the use of multiple colours on engraved stamps? Or do you rock it old school and adhere to a strictly monochrome palette? Or do you, like me, admire the virtues of both methods? I ask these questions because your answer may very well influence your preference regarding the two stamps you are about to see.

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First up, let's take a look at Pierre Gandon's black rhino, issued by French Equatorial Africa in 1946 as part of a definitive series. It must be noted that this engraving was issued in three values, each with its own colour. For the purposes of this blog I have chosen to illustrate the 30c violet black stamp. I think this particular colour really enhances Gandon's artwork.


In this design, Gandon has chosen to frame his majestic black rhino in the flora and fauna of its native habitat. A particularly nice touch is the python slithering its way up the right side of the frame.  

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Now we come to Albert Decaris' black rhino, issued by Cameroun 15 December 1964. This stamp was printed in three colours (really only two colours considering the third colour was used solely for the ttitles), which some engraving enthusiasts may frown upon. But I believe in this instance the extra colour serves to enhance rather than hinder this lovely work of art.


In this design Decaris has beautifully illustrated the lumbering majesty of the black rhino, printed in dark brown. The background, printed in green, depict trees and grassy plains, providing us a glimpse into the world in which this giant chooses to live.

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So now that you've studied both stamps, which is your favourite? Do you prefer the classic monochrome artwork of Gandon? Or does the multi-coloured creation of Albert Decaris appeal to you more? I've personally given this a lot of thought and sat staring at each stamp alone, then together, for a long while. And to be totally honest, I can't decide. I happen to like both interpretations equally. Both artists were immensely talented, and both artists brought something unique for us to admire into their pieces of art. I have to say I really enjoyed spending time with each artist and his work.

Until next time...


Tuesday, 6 February 2018

I Muse... On Retail Therapy

My cyber-presence has been pretty limited of late due to some overwhelming personal issues. But I'm still here and will continue my blogging as much as I possibly can. 

Yesterday to take my mind off things I decided on a bit of retail-therapy and had a bit of a browse on Delcampe. I found several nice additions to my Decaris collection and I thought I'd share them here with my fellow Decaris addicts. The images are of course not mine so they aren't of the greatest quality, but they serve the purpose of a sneak peak  of what might be in store for you this year in Albert Decaris Stamps!

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First up is a set from Cameroun, issued in 1964 for the Tropics Cup Games.


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The next stamp is also from Cameroun and also issued n 1964. A stunning Rhino. I may at some point do a comparison between the rhino of Gandon and the rhino of Decaris. Could be fun.


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Next up is a set of five from Senegal, issued in 1961, showcasing sporting competition.


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My last purchase yesterday was a set of four from Ivory Coast, issued in 1961.


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So what do you think? I'm personally really looking forward to adding these lovely stamps to my collection and doing some hi-res scans of them to celebrate their true majesty!

Oh, yesterday I also placed a bid on a pair of Decaris engraved airmail stamps from Dahomey, issued in 1960. Here's hoping I win this pair for the minimum bid!


Until next time (very soon, I hope)...


Sunday, 7 January 2018

France 1958 - Urbain Le Verrier

Using only mathematical calculation (celestial mechanics), this man predicted not only the existence of the planet Neptune but also its position in the solar system. This genius of celestial mechanics was Urbain Jean Joseph Le Verrier.

Urbain Le Verrier was born in Saint-Lô, the capital of the department  of Manche, Normandy, in France. Le Verrier began his studies at École Polytechnique in Paris. Here his initial interest was in chemistry, with a particular focus on the combinations of phosphorus and hydrogen, and phosphorus and oxygen. But it wasn't long before he discovered his true passion, celestial mechanics. At the completion of his studies he accepted a position at the Paris Observatory. It was here he found his vocational home, eventually taking the prestigious position as the institute's Director twice, the first time from 1854 to 1870 and the second from 1873 until his death on 23 September 1877. 

Le Verrier's  true claim to fame came in September of 1846. After spending months absorbed in deep calculations to try to understand the discrepancies in the orbit of Uranus, Le Verrier predicted the existence of another planet that was causing said discrepancies. Le Verrier immediately sent his predictions to Johann Galle of the Berlin Observatory. And on 23 September Le Verrier's predictions were confirmed when the planet was found by Johann Galle. It was, amazingly, found to be within just 1° of Le Verrier's predicted location. Interestingly, at the same time a man named John Couch Adams in England was doing similar calculations. In fact, to this day there is still controversy over which  man predicted first!

It is  perhaps also worth noting that Le Verrier is one of 72 people to have his name inscribed on the Eiffel Tower.

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On 17 February 1958 France issued a set of four stamps celebrating famous French Scientists. Two stamps in this set were designed and engraved by Albert Decaris. Click HERE to see my blog  post  on Joseph-Louis Lagrange. The second stamp designed and engraved by Decaris features Urbain Le  Verrier.


In this stamp, Decaris has captured the intensity and complexity of this astounding scientific mind. A  fitting engraved tribute to Le Verrier by the master, Albert Decaris.

Until next time... 

Saturday, 9 December 2017

France 1958 - Lagrange

His name is on a plague on the Eiffel Tower. A street in Paris bears his name. There is even a crater on the moon named after him! Joseph-Louis Lagrange, born Giuseppe Lodovico Lagrangia on 25 January 1736, was a mathematician and astronomer during le Siècle des Lumières, the Age of Enlightenment, an intellectual and philosophical movement in Europe during the 18th century. He was known as a kind and quiet man, who had a life-long devotion to, and passion for, science.

Lagrange was born in Turin, Italy. His father was of French descent and his mother was herself born in Turin. His father, who worked as Treasurer of the Office of Public Works and Fortifications in Turin, had decided his son was to have a career as a lawyer. Lagrange attended the University of Turin, seemingly happy with the vocation that had been chosen for him. During the course of his studies he was obliged to complete some mathematical studies, such as geometry, which he found boring (who can blame the guy!).  His favourite subject at the time was Latin.

But Lagrange's attitude towards maths did an abrupt U-turn after reading a paper by Edmund Halley, after whom a comet was later named (which I was fortunate to see as a teenager). After a year of self-study, he was hooked on maths. And at the age of just 19 (some even say 16!) he was teaching mathematics at the artillery school of Turin. During this time his work focused on 'calculus of variations', which was well received in the mathematical community.

By the time Lagrange was 25 in 1761 he was already recognised as one of the greatest living mathematicians. Not bad for a guy who initially thought maths stuff boring! Three years later in 1764 he was the recipient of a prize awarded by the French Academy of Sciences for his essay on the libration of the moon, which is basically the study of the slight wobble or oscillation of the moon, which in turn present to us on Earth a visual change of lunar features. He also worked on theories relating the the motions of the satellites 'moons' of Jupiter.

In 1766 Lagrange was offered a teaching post at the Prussian Academy of Sciences in Berlin. He was invited by the king Frederick the Great, who is believed to have said that it is the wish of “the greatest king in Europe” to have “the greatest mathematician in Europe” at his court. While in Berlin he worked tirelessly on the areas such as the 'three-body problem' (which relates to Newton' law of gravity),  differential equations, prime number theory. and the mechanics and stability of the solar system, He also devoted much time to the study of algebra, culminating in a long paper published in 1770, titled: Réflexions sur la résolution algébrique des équations (Reflections on the Algebraic Resolution of Equations”).

In 1787, after the death of King Fredrick, Lagrange was invited by Louis XVI to take a position at the French Academy of Sciences, which he gladly accepted. In fact, he remained in Paris till the day he died. His move to Paris was right before the French Revolution in 1789. During this turbulent time, Lagrange was, shall we say, prodded into joining the committee working to reform the metric system. then in 1794 the École Centrale des Travaux Publics (later renamed the École Polytechnique) was opened and Lagrange took a position as a leading professor of mathematics. Here Lgrange continued his work on calculus, producing the first analytical textbooks in the area. He also continued work on new edition of his  Mécanique analytique, but Lagrange died 10 April 1813 before it was published.

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On 17 February 1958, France issued a set of four stamps honouring famous scientists. Two of these stamps were designed and engraved by Albert Decaris. One of these two stamps featured Joseph-Louis Lagrange. it is a lovely design, which captures the true essence of this brilliant, kind, and gentle man.


Until next time...



Monday, 27 November 2017

I Muse...On Soaking Results

Several weeks ago I wrote a blog describing my successful win of two Tunisia 1953 airmail stamps. One of these two stamps, the 1,000f value was designed and engraved by Albert Decaris. The 500f value was designed and engraved by Rene Cottet. The catalogue value of these stamps was quite high, but I managed to win them for just a couple of dollars. You may recall that the condition of the stamps wasn't 100%. They both had quite a bit of toning, the 500f more so. Of course, this is my Albert Decaris blog so I will only deal with the 1,000f stamp here. The 500f I will deal with in my French Stamp Engravers! blog (when it is done I will insert a link to it here). 

The stamp arrived a couple of weeks ago, and the other day I finally got round to giving it a peroxide bath. I have already written a blog detailing the method I use for soaking stamps in peroxide. You can check it out HERE. This time round I had to give the stamp (both stamps actually) two longer soaks than normal. And even then not all of the toning was removed. But it did freshen the stamps up quite a bit, and of course, it killed any and all mould present. That being said, I am still very happy with the results. Below is a 'before and after' for you to judge for yourselves.


So what do you think?

Until next time...


Sunday, 19 November 2017

France 1957 - Cervantes

Perhaps the greatest writer in the Spanish language the world has seen, Miguel de Cervantes Saavedra was born c. 29 September 1547 in Alcalá de Henares, Habsburg, Spain. It is said that his most famous work Don Quixote has been translated into more languages than any other book except the Bible.

Rather little is known of Cervantes's youth. What is known suggests his family was far from well-to-do. His father, who was deaf, was a barber-surgeon, a poor paying job at that time. Possibly due to their low income status, the family moved around a lot when Cervantes was a kid. Regarding his schooling, next to nothing is certain, but it is a hot topic of debate among modern scholars. It is very possible, based on analysis of his later literary work, that Cervantes was taught by the Jesuits. One fact is certain. Cervantes was an avid reader as a child.

Cervantes's first foray into the field of writing came in 1569 when he contributed some poetry to a collection compiled as a memorial after Elizabeth of Valois, the wife of Spain's King Philip II, died. But according to Cervantes himself poetry was not his strong point. Interestingly, for some reason not known now, Cervantes was forced into exile in this same year, and he moved to Rome. Cervantes hung up his quill, as it were, and worked for a short time as chamber assistant to a cardinal before joining a Spanish military unit stationed in Italy in 1570. As a soldier, he fought with distinction against the Ottoman Empire in the Battle of Lepanto in 1571 aboard the ship La Marquesa. During this conflict he sustained several serious, debilitating injuries. He suffered "two chest wounds and the complete maiming of his left hand" (Biography.com). Despite these terrible injuries Cervantes continued to serve as a soldier for a further five years.

Compounding on his injuries suffered during his years of service, Cervantes was captured in 1580 by Turkish ships while attempting to return to Spain. He was imprisoned and for the next five years forced into slavery. After numerous failed attempts to escape, he finally gained freedom after his family paid a ransom for his release.

Safely back home in Spain, Cervantes decided to dust off his quill and resume writing. His first novel, La Galatea, was published in 1585. Unfortunately, this his first novel was not exactly a rip-roaring success among his contemporaries. To make ends meet, he took up a job as a purchasing agent for the Spanish Armada, which might sound impressive but was really nothing more than collecting grain from rural communities. Perhaps disillusioned by this grunt-work he decided to try his hand at writing for the theatre. Plays were all the rage in Spain at that time and becoming a successful playwright promised lucrative career possibilities. Alas, none of his plays were show-stoppers. 

We are perhaps fortunate that he did fail as a playwright. If he had been successful we may never have had the tremendous benefit of his most famous work Don Quixote. Cervantes published the first part of Don Quixote in 1605. This novel "tells the story of an elderly man who becomes so enamored by the old stories of brave knights that he seeks out his own adventures. The title character soon gets lost in his own fantasy world, believing he is one of these knights, and convinces a poor peasant, Sancho Panza, to serve as his squire. In one scene, the deluded Don Quixote even fights a windmill, mistaking it for a giant. Quixote finally regains his senses before the novel ends" (Biography.com). It is from this novel that the phrase 'tilting at windmills' to suggest madness was coined. This novel was a huge success, but since authors didn't receive royalties for their work at this time, it did not make Cervantes a wealthy man as it undoubtedly would have now. In fact, it has now been translated into over 60 different languages. 

Cervantes eventually went on to publish the second part of Don Quixote in 1616. This story has inspired many authors and artists through the centuries. It inspired the musical The Man of La Mancha and an artwork by Pablo Picasso.  

***

On 12 November 1957 France issued a set of seven stamps featuring a cast of foreign celebrities (Célébrités étrangères). One of these stamps features Miguel de Cervantes. It was designed and engraved by Albert Decaris. Decaris here manages to capture the brooding intelligence of Cervantes as he gazes into deep into his own creative imagination. Studying this portrait we could well believe Cervantes is right at that point of conceiving that quirky character, Quixote. A splendid portrait by the Master Engraver.


Until next time...


Sunday, 12 November 2017

French Equatorial Africa 1939 - New York World's Fair

Experience "the world of tomorrow" and witness the "dawn of a new day". These were the slogans of the 1939 New York World's Far (NYWF). The event was held at Flushing Meadows-Corona Park, which up until then was an ash dump (the largest ash pile was so big, some 90 feet tall, that it was actually given a name - Mount Corona). 

The event was conceived in 1935 by a group of New York businessmen in order to help lift the city and the country from the doldrums of the Great Depression. From offices high up in the Empire State Building, the committee imagined the biggest international event the world had seen since the horrors of the Great War. The theme of looking towards a bright and peaceful future full of scientific wonders was more relevant than ever in the current climate. In all, it took four years for the NYWF committee to bring their colossal vision into the realm of reality. 

The date chosen for the grand opening of the fair was Sunday, April 30, 1939, the 150th anniversary of the inauguration of the first President of the United States, George Washington. The opening speech was to be given by the current President, Franklin D. Roosevelt, in front of a crowd of 206,000 people. But this was to be no ordinary speech. Since new technologies and future innovations was the central theme of the fair, this was the perfect opportunity for RCA to introduce a new thing called 'television' to the public. Roosevelt's speech was not only broadcast by radio, but it was actually televised.  It is said that some 1,000 people watched the speech on 200 television sets scattered around the New York metropolitan area. In fact, many events throughout the course of the fair were broadcast on television. The speech coverage was used by the New York station W2XBS (now WNBC) to inaugurate their new system of regularly scheduled broadcasts in the New York area.

Anticipating skepticism among the public, RCA set up a television in their pavilion with a transparent case so the internal components could be easily seen. Also, in this pavilion (one I would have made a beeline for if I were there) a mini-studio was set up allowing people to see themselves on television. People could also see television demonstrations at the General Electric and Westinghouse pavilions.

Innovative architecture was for the various displays and pavilions was highly encouraged. Architects had nearly free-rein to be as "creative and energetic" as possible with their designs. Perhaps none typified the stunning vision for the future more so than the Theme Center, designed by Wallace Harrison and Max Abramovitz. This center "consisted of two all-white, landmark monumental buildings named the Trylon (over 700 feet (210 m) tall) and the Perisphere which one entered by a moving stairway and exited via a grand curved walkway named the "Helicline". Inside the Perisphere was a "model city of tomorrow that visitors" viewed from a moving walkway high above the floor level." (Wikipedia).

Some of the highlights of the fair included exhibits featuring nylon fabric, Secentovision (a forerunner to Smell-O-Vision), and an exhibit featuring what was perhaps one of my favourite toys as a kid, the View-Master (remember those?). People could also see a new futuristic car design in the General Motors pavilion. There was even a talking robot that - you wouldn't believe it - actually smoked! As the song goes: "it's all happening at the fair!"

***

On 10 May 1939 an omnibus set of two stamps of a single design was issued in twenty-four French colonies to celebrate the New York World's Fair. The stamps were designed and engraved by Albert Decaris. This was Decaris' second foray into omnibus stamp design, the first being the 1937 Paris Exposition set. Below is a list of all the colonies in which this set was issued (it should be noted that these stamps are available with several different overprints, but I'll leave that for another time).

  • Cameroun
  • Dahomey
  • Fr. Equatorial Africa
  • Fr. Guiana
  • Fr. Guinea
  • Fr. India
  • Fr. Polynesia
  • Fr. Sudan
  • Guadaloupe
  • Indo-China
  • Inini
  • Ivory Coast
  • Kwangchowan
  • Madagascar
  • Martinque
  • Mauritania
  • New Caledonia
  • Niger
  • Reunion
  • St Pierre & Miquelon
  • Senegal 
  • Somali Coast
  • Togo
  • Wallis & Futuna Islands.
Of course, it would be difficult to display images of all the stamps of all the colonies, so considering I am in the process of studying Albert Decaris' work for French Equatorial Africa, I will showcase those ones here (in the future, I will be doing separate blog posts for each of these omnibus issues).



Until next time...



Monday, 30 October 2017

I Review... My New Decaris Catalogue

Not long after I started collecting the philatelic work of Albert Decaris about two and a half years ago, I came across a collected catalogue of his work in book form. The book is by Bernard Gontier and it is called Maitre Albert Decaris, sa vie son oeuvre philatelique. I thought to myself, "great, this is exactly what I need!" As it turns out - like with most things that would be handy to have - it was nigh on impossible to track down. And the one copy that I did happen to find on Delcampe had a ludicrous price + postage cost attached to it. Every other option I looked into, the book was simply not in stock. I filled out the requisite details on heaps of sites that would inform me of one being in stock. I could hope, right? Sadly, not in this case. As of this moment, I've heard back from exactly none of those sites.

But then about a month ago whilst I was doing an image search related to a blog post, I came across an image of the cover of the book that I hadn't seen before. Just like the actual book, images of it are fairly scarce. Out of curiosity, I clicked on the image and it took me to a French philatelic shop that had a whole range of products available. But what interested me was that they had the Gontier book on their order list. I clicked on that, expecting to see the same old story. Sorry, not currently in stock. But no! Miracle of miracles, they had one copy in stock! And the price on it was excellent. I couldn't bring myself to believe it at first. Surely it was a mistake. Or just a printed image of the cover for sale. Or maybe the postage on that site was ridiculous. First I checked out the postage - reasonable. Then I had a hard look at everything about the book. Seemed fine. Now growing somewhat excited I looked around the site a bit to see how valid it was. It seemed legit. With trembling fingers (not much hyperbole here!), I returned to the item page. And I clicked "Purchase". For a few days afterwards I could still hardly believe my luck! Then skip forward a few weeks, and what was in the mail? The Decaris catalogue! And it is everything I'd hoped it to be. On my Slania Crazy! blog I did a review on the catalogue of Slania's works, so I thought I'd do the same here.

***

First of all I really need to stress that the thoughts expressed in this review are solely my own, and I'm sure there are those out there who have different opinions. If you feel differently to what I think please add your thoughts to the comments. I love hearing from fellow collectors! With that said, let's get into it.

Maître Albert Decaris, sa vie son travail philatélique, by Bernard Gontier. Published by Monde des philatélistes. Printing date unknown.


The first step would be to take a look at the overall presentation of the book. I was really surprised at the dimensions of the book. It measures a whopping 32cm x 24cm. It has 40 pages and it is bound in a soft cover. The fact that it is so large with only a soft cover is really my only criticism. This makes it a little difficult to consult time and again without any fear of damage. Its unusual height also makes it difficult to store on my shelf. 

Not surprisingly, the book is written entirely in French, which doesn't bother me, but some may find information extraction a little more difficult. The book is printed mostly in black & white, including the stamp images. But there are several lovely full page colour phtotos included.

The contents of the book include: a catalogue of all Decaris' stamps; a few full page colour images of a selection of unadopted designs; and a group of three interesting articles in the back including an interview with Decaris. 

The catalogue portion of the book is brilliant. The stamps are arranged by year with the actual date of issue and Y&T catalogue numbers included. It is divided into three sections. The first section lists all the stamps Decaris designed and engraved. The second section deals with the stamps he only engraved. And the last section lists the stamps he only designed. 

Below is a small selection of images from within the book. Unfortunately due to the size of the book, it wont fit in my scanner, so I have to include photos instead of scans. But the images are just to give you an idea of the content.




In all I love this catalogue, and honestly I find it a lot more useful than my Slania catalogue, but that's just my humble opinion. If you have any comments or questions, comment below. I'd love to hear your thoughts.

Until next time...

Tuesday, 17 October 2017

I Muse...On Breaking News

We interrupt our regular blogging schedule to bring you this special report!

This news just in: it has been discovered  that the stamp collector who has been identified as Albert Decaris Stamps! has just managed to defy the odds and secure, through and stealth and a decent dose of luck, a great bargain. We have managed to secure an exclusive interview with the happy buyer!

All jokes aside, this morning when I woke up I got quite the surprise. It all started a little over a week ago when my Decaris catalogue by Bernard Gontier arrived (a review of said book will be coming soon). I noticed in it that Decaris had designed and engraved a 1,000f airmail stamp for Tunisia in 1953. This stamp has a rather hefty SG catalogue value of £47 mint and over double that for genuine used. A glance at eBay and Delcampe yielded rather expensive results. What a shock! But I did spot one item up for bid on eBay that was still on the minimum bid of $0.99. The stamp was not alone it came with the 500f value stamp. Both have some toning, the 500f more so. But I thought that if on the off chance I could get them cheap, the toning could be reduced, if not completely removed by a good peroxide bath. Taking all this into account, I threw on a cheap snipe bid. Pretty certain I'd have no chance. But hey, gotta be in it to win it.

Then... Lo and behold I did win it! And for just $2.28 Aust.


So I guess now we are at that point where I show you what I got. The images ain't that great, but it gives you an idea of the toning levels. In honesty, the 500f stamp may be a ride-off, but that doesn't bother me. It's the 1,000f on the right that I'm most interested n. As you can see, the toning is considerably less on this stamp.


When they arrive I'll give them the peroxide treatment and post up the results!

Now back to our regular blogging schedule!

Until next time...


Wednesday, 11 October 2017

French Equatorial Africa - 1937 International Exposition in Paris

Let the festivities commence! From motorboat races on the Seine to the Grape Harvest Festival, and from World Championship Boxing Matches to Shakespeare in the park. The 1937 Exposition Internationale des Arts et Techniques dans la Vie Moderne (International Exposition of Art and Technology in Modern Life) had it all. The Expo was held from 25 May to 25 November 1937 in Paris, France. Countries from around the globe converged on the "city of lights" to flex their muscles of national pride. Participating countries were invited to build their own pavilions. Some pavilions were rather modest. While others such as the Soviet and Nazi pavilions opted more for the ostentatious and colossal. For more on the Expo, click HERE.

***

This World Expo was also a big deal in the world of philately. A group of France's best artistic minds were assembled to create a six stamp set that would be issued in twenty-one French colonies. This was the second omnibus series printed in France, the first being in 1931 for the International Colonial Exposition. Engravers such as Rene Cottet, Emile Feltesse, Pierre Munier, Antonin Delzers, and of course Albert Decaris contributed to the set. In fact, Albert Decaris both designed and engraved two stamps in this set. Below is a list of all colonies in which this set was issued.
  • Cameroun
  • Dahomey
  • French Equatorial Africa
  • French Guiana
  • French Guinea
  • French India
  • French Polynesia
  • French Sudan
  • Guadeloupe
  • Indo-China
  • Ivory Coast
  • Madagascar
  • Martinque
  • Mauritania
  • New Caledonia
  • Niger
  • Oceania
  • Reunion
  • St. Pierre & Miquelon
  • Senegal
  • Togo
***

To celebrate the beginning of my studies into Albert Decaris' philatelic work for French Equatorial Africa, which in 1958 became the Central African Republic, I thought I would showcase his first stamps issued for this country. The 1937 International Exposition in Paris. Indeed, these were the first stamps issued with his name attached for many French colonies.

Before seeing the stamps, let's have a little look at the country in question. French Equatorial Africa (French: Afrique équatoriale française), or the AEF, was the federation of French colonial possessions in Equatorial Africa, extending northwards from the Congo River into the Sahel, and comprising what are today the countries of Chad, the Central African Republic, Cameroon, the Republic of the Congo, and Gabon. After a referendum in 1958, in which the citizens voted for independence, AEF became the temporary association called The Union of Central African Republics. Then in 1960 the fully independent Central African Republic was formed. But we'll look at that change when I start studying the stamps Decaris produced for CAR.

***

Now to the stamps. As I mentioned above, Decaris both designed and engraved his two stamp contribution to the Paris Exposition omnibus series. To look at the full set, click HERE. The issue dates of this series vary by colony. The FAE set was issued on 15 April 1937.

The first stamp is the 50c value, labelled in French: Groupe de trois femme. (Group of three women)


The 1f 50 stamp, my favourite of the two designs, is called:  Tête de femme et masque. (Head of woman and mask)



Until next time...


Monday, 2 October 2017

France 1957 - Europa

Way back in 1956 a decision was made to create a common design stamp issue for the European community. The idea was not only to promote the rewarding pursuit of philately, but also to educate people in the history of Europe and the common roots that Europeans share. Thus the EUROPA stamp issue was born. Initially, there were six participating countries: Belgium, France, Germany, Italy, Luxembourg, and Netherlands. All participating countries issued stamps of the same design to be produced in their own countries, using their own printing techniques and engravers when applicable. The common design chosen for the first EUROPA issue was a tower in the form of the 6 letters of the word EUROPA. The design was created by Frenchman Daniel Gonzagu. France's first EUROPA stamps were issued in two values, and the 'common' design was engraved by Jules Piel. 


In 1957 EUROPA allowed participating countries to issue stamps based on the common "theme" instead of a common design. The theme was Peace and Welfare through Agriculture and Industry. This idea of providing the participating countries with just a theme gave individual designers freedom to come up with their own artistic interpretation of the theme. Incidentally, the number of participating countries had now risen to eight to include Saarland and Switzerland.

***

On 16 September 1957, France issued its EUROPA design, printed in two values. The issue was designed and engraved by Albert Decaris. Decaris has brilliantly captured the essence of the theme in his design. It features two hands. One hand is holding an olive branch and wheat, symbolising peace and prosperity through agriculture. The other hand holds a large gear, through which another olive branch is entwined. Machinery and nature are here almost one with each other in a symbiotic relationship.



Until next time...