Showing posts with label 1957. Show all posts
Showing posts with label 1957. Show all posts

Sunday, 19 November 2017

France 1957 - Cervantes

Perhaps the greatest writer in the Spanish language the world has seen, Miguel de Cervantes Saavedra was born c. 29 September 1547 in Alcalá de Henares, Habsburg, Spain. It is said that his most famous work Don Quixote has been translated into more languages than any other book except the Bible.

Rather little is known of Cervantes's youth. What is known suggests his family was far from well-to-do. His father, who was deaf, was a barber-surgeon, a poor paying job at that time. Possibly due to their low income status, the family moved around a lot when Cervantes was a kid. Regarding his schooling, next to nothing is certain, but it is a hot topic of debate among modern scholars. It is very possible, based on analysis of his later literary work, that Cervantes was taught by the Jesuits. One fact is certain. Cervantes was an avid reader as a child.

Cervantes's first foray into the field of writing came in 1569 when he contributed some poetry to a collection compiled as a memorial after Elizabeth of Valois, the wife of Spain's King Philip II, died. But according to Cervantes himself poetry was not his strong point. Interestingly, for some reason not known now, Cervantes was forced into exile in this same year, and he moved to Rome. Cervantes hung up his quill, as it were, and worked for a short time as chamber assistant to a cardinal before joining a Spanish military unit stationed in Italy in 1570. As a soldier, he fought with distinction against the Ottoman Empire in the Battle of Lepanto in 1571 aboard the ship La Marquesa. During this conflict he sustained several serious, debilitating injuries. He suffered "two chest wounds and the complete maiming of his left hand" (Biography.com). Despite these terrible injuries Cervantes continued to serve as a soldier for a further five years.

Compounding on his injuries suffered during his years of service, Cervantes was captured in 1580 by Turkish ships while attempting to return to Spain. He was imprisoned and for the next five years forced into slavery. After numerous failed attempts to escape, he finally gained freedom after his family paid a ransom for his release.

Safely back home in Spain, Cervantes decided to dust off his quill and resume writing. His first novel, La Galatea, was published in 1585. Unfortunately, this his first novel was not exactly a rip-roaring success among his contemporaries. To make ends meet, he took up a job as a purchasing agent for the Spanish Armada, which might sound impressive but was really nothing more than collecting grain from rural communities. Perhaps disillusioned by this grunt-work he decided to try his hand at writing for the theatre. Plays were all the rage in Spain at that time and becoming a successful playwright promised lucrative career possibilities. Alas, none of his plays were show-stoppers. 

We are perhaps fortunate that he did fail as a playwright. If he had been successful we may never have had the tremendous benefit of his most famous work Don Quixote. Cervantes published the first part of Don Quixote in 1605. This novel "tells the story of an elderly man who becomes so enamored by the old stories of brave knights that he seeks out his own adventures. The title character soon gets lost in his own fantasy world, believing he is one of these knights, and convinces a poor peasant, Sancho Panza, to serve as his squire. In one scene, the deluded Don Quixote even fights a windmill, mistaking it for a giant. Quixote finally regains his senses before the novel ends" (Biography.com). It is from this novel that the phrase 'tilting at windmills' to suggest madness was coined. This novel was a huge success, but since authors didn't receive royalties for their work at this time, it did not make Cervantes a wealthy man as it undoubtedly would have now. In fact, it has now been translated into over 60 different languages. 

Cervantes eventually went on to publish the second part of Don Quixote in 1616. This story has inspired many authors and artists through the centuries. It inspired the musical The Man of La Mancha and an artwork by Pablo Picasso.  

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On 12 November 1957 France issued a set of seven stamps featuring a cast of foreign celebrities (Célébrités étrangères). One of these stamps features Miguel de Cervantes. It was designed and engraved by Albert Decaris. Decaris here manages to capture the brooding intelligence of Cervantes as he gazes into deep into his own creative imagination. Studying this portrait we could well believe Cervantes is right at that point of conceiving that quirky character, Quixote. A splendid portrait by the Master Engraver.


Until next time...


Monday, 2 October 2017

France 1957 - Europa

Way back in 1956 a decision was made to create a common design stamp issue for the European community. The idea was not only to promote the rewarding pursuit of philately, but also to educate people in the history of Europe and the common roots that Europeans share. Thus the EUROPA stamp issue was born. Initially, there were six participating countries: Belgium, France, Germany, Italy, Luxembourg, and Netherlands. All participating countries issued stamps of the same design to be produced in their own countries, using their own printing techniques and engravers when applicable. The common design chosen for the first EUROPA issue was a tower in the form of the 6 letters of the word EUROPA. The design was created by Frenchman Daniel Gonzagu. France's first EUROPA stamps were issued in two values, and the 'common' design was engraved by Jules Piel. 


In 1957 EUROPA allowed participating countries to issue stamps based on the common "theme" instead of a common design. The theme was Peace and Welfare through Agriculture and Industry. This idea of providing the participating countries with just a theme gave individual designers freedom to come up with their own artistic interpretation of the theme. Incidentally, the number of participating countries had now risen to eight to include Saarland and Switzerland.

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On 16 September 1957, France issued its EUROPA design, printed in two values. The issue was designed and engraved by Albert Decaris. Decaris has brilliantly captured the essence of the theme in his design. It features two hands. One hand is holding an olive branch and wheat, symbolising peace and prosperity through agriculture. The other hand holds a large gear, through which another olive branch is entwined. Machinery and nature are here almost one with each other in a symbiotic relationship.



Until next time...


Wednesday, 5 July 2017

France 1957 - Heroes of the Resistance

Resistance is 'the act of fighting against something that is attacking you, or refusing to accept something (Cambridge Dictionary, 2017)."

Our history books are riddled with heroic tales of resistance to foreign invaders. From the Greek resistance to the Persian invasion in the 5th century BC to the more recent Aboriginal resistance, led by Pemulwuy, to British occupation of their territory around Sydney, NSW, in 1797; and from the American resistance to the British Empire in the Revolutionary War to the French Resistance against German occupation during WWII. These brave acts of defiance bring with them stories of individual gallantry and heroism against overwhelming odds. 

One such hero was French Resistance fighter, Henri Honoré d'Estienne d'Orves. D'Estienne d'Orves, born 3 June 1901, was educated in some of the finest schools in Paris before joining the École Navale, (French Naval Academy) in 1923, where he was stationed on the training ship Jeanne d'Arc. Life in the Navy seemed to have agreed with d'Estienne d'Orves, and he quickly rose through the ranks. By the time World War II erupted in 1939 he was the under-chief of the headquarters of the 2nd flotilla of torpedo boats in Mediterranean Sea, and by December of that year he became an aide to Admiral Godfroy in the Headquarters of "Force X".

On 25 June 1940, an armistice was signed between France, led by Marshal Philippe Petain, and Germany, allowing German forces to occupy France. Unsurprisingly, not all of France was happy with this scenario. Many, such as General Charles de Gaulle, considered this tantamount to surrendering in defeat. Having fled into exile to London, de Gaulle spearheaded the "Free France" movement.

Unwilling to accept the armistice like so many others (including de Gaulle), D'Estienne d'Orves sailed from Africa to London aboard a cargo ship. On 27 September 1940 he met with Charles de Gaulle. Unable to obtain a sea command at this time, d'Estienne d'Orves was given a different mission by de Gaulle. On 15 December 1940, he was tasked with organising an intelligence network in western France, code-named "Nemrod".

Code-named "Jean-Pierre Girard", d'Estienne d'Orves set up his intelligence network headquarters in Chantenay-sur-Loire, near Nantes along with his radio operator, Alfred Gaessler, a 20 year old German-speaking Alsatian, with the code-name, "Georges Marty". Over the next several months, d'Estienne d'Orves created an efficient spying web, allowing him to gather intelligence pertaining to German military movements. Unfortunately, it turns out that d'Estienne d'Orves' radio officer, Gaessler, happened to be a double agent, informing the Nazis of the movements of d'Estienne d'Orves. On a trip to London, d'Estienne d'Orves was cornered by the Gestapo. But d'Estienne d'Orves didn't go easily. He and his companions put up a strong fight. Eventually, however, the Gestapo captured and arrested him. D'Estienne d'Orves was wounded in the fight. Thankfully, the spy web he had created remained undiscovered and continued to operate right up to the Liberation of Paris in August 1944.

D'Estienne d'Orves was held in prison by the Nazis to await trail, which began on 13 May 1941. At the trail d'Estienne d'Orves claimed full responsibility for the spy network. On 28 August he was found guilty of treason and sentenced to be executed. An anecdote that speaks to the character of d'Estienne d'Orves occurred shortly after the conclusion of the trail. When being interviewed by the German military judge who had sentenced him, d'Estienne d'Orves is reported to have said:
"Sir, you are a German officer. I am a French officer. We both served our duty. Please allow me to hug you (Wikipedia)."
At dawn on 29 August 1941, Henri Honoré d'Estienne d'Orves was executed by firing squad at Fort du Mont Valérien, France. But this man's heroism was most assuredly not forgotten. He was posthumously promoted to Capitaine de frégate (Commander) and made a Compagnon de la Libération (Fellow of the Liberation). And inspired by his martyrdom, many people joined the ranks of the French Resistance.

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On 20 May 1957, France issued a set of five stamps honouring the Heroes of the Resistance. The 10f value depicting Henri Honoré d'Estienne d'Orves was designed and engraved by Albert Decaris. The portrait is a fitting testimonial to the courage, loyalty, and honour of Henri Honoré d'Estienne d'Orves. A true hero!


Until next time...


Sunday, 25 June 2017

France 1957 - Stamp Day

A felucca is a wooden sailing boat that is not only small and lightweight, but also extremely maneuverable. These characteristics make this style of boat perfect for rivers and protected waters. They are commonly found plying the waters of the Mediterranean and the Nile in Egypt. A felucca can be easily identified by its large triangular sails, which are called lateen sails. A felucca can be rigged with two or three lateen sails.

By the 18th century the popularity of this versatile craft spread to Italy and along the French Riviera. Here they were often used as passenger craft and for transporting items such as mail. By this point it was not uncommon to see feluccas fitted with up to twelve oars and a canopy at the stern to protect its passengers from the weather. There is a rather quaint mention of the use of a felucca in a mid 18th century travel book.
The most agreeable carriage from hence (Nice) to Genoa, is a felucca, or open boat, rowed by ten or twelve stout mariners. Though none of these boats belng to Nice, they are to be found every day in our harbour waiting for a fair to Genoa... A felucca is large enough to take in a post-chaise; and there is a tilt over the stern sheets where the passengers sit to protect them from the rain. Between the seats one person may lie commodiously upon a mattress, which is commonly supplied by the patron. ... I would advise every valetudinarian who travels this way, to provide his own chaise, mattress, and bed-linen, otherwise he will pass his time very uncomfortably. (Smollet, London, 1884, p 746)
Towards the end of the 18th century the popularity of feluccas had travelled even farther afield, all the way to the west coast of USA. To San Francisco to be exact. In 1884 a whole fleet of feluccas was put to work in the bay as fishing trawlers.

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Over the years France has issued some stunning stamps to celebrate Stamp Day. The stamp chosen for Stamp Day 1957 was no exception. In fact, it is one of my personal Stamp Day favourites. The stamp in question was designed and engraved by Albert Decaris, and it was issued on 18 March 1957. Like other Stamp Day issues it was a semi-postal with a value of 12f + 3f. The 3f surcharge went to the French Red Cross.


The subject of the design was an 18th century feluccia, which, as mentioned above, often carried mail. Decaris had a tremendous liking for maritime engravings, a passion which is clearly evident in this design. I think it is superb. The sleek lines of the hull slciing through the water. The sails billowing as they snatch the cool breeze. And the oars, poised for another stroke...

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I also have a copy of this lovely stamp in a border pair, which is sublime.


Until next time...


Wednesday, 6 July 2016

I Found...Another Decaris Stamp

A few days ago I spoke to a fellow Decaris collector on a stamp forum. Through him I was made aware of a Decaris engraved stamp that I had no idea existed. I usually always like to verify for myself if a stamp was indeed engraved by Decaris (not to impugn the word of the collector who told me about the stamp). So far I haven't been able to find any information that conclusively proves the stamp was engraved by Decaris, but I am still assuming he did.

With that said, let's take a look. The country of origin of the stamp, I have to say, surprised me somewhat. The stamp in question is from Peru! It was issued in 1957. Below is lovely block of 4 I managed to track down. When I look closely at it I can definitely see signs of Decaris' style.


Until next time...

Stay Decaris Crazy!